Track 1 Track 2 Track 3Track 4 Track 5 Track 6

Track 8 Track 9 Track 10Track 11 Track 13 Track 14

Track 1 – Documentation, Preservation, Monitoring and Restoration
Chairs: Stefano Campana (University of Siena), Violette Abergel (CNR), Costanza Miliani (CNR ISPC)

T1 – S1: Digital tools for monitoring heritage at risk
Chair: S. Campana | Time: 14:30–16:00 | Date: Tuesday 9 September | Room: 4
  • 299 – Uncovering Patterns of Cultural Heritage Attacks in Aleppo: No Strike Locations and Conflict Microdynamics
  • 266 – Novel Documentation and Identification Methods for Combating Illicit Trafficking of Cultural Goods – ENIGMA Pilot Case Studies
  • 67 – Under Fire Heritage of Ukraine: insights from early damage assessment activities
  • 226 – Corpus-Based SKOS Development for Underrepresented and Endangered Ukrainian Epigraphic Heritage
  • 384 – Monitoring Cultural Heritage in the Nagorno-Karabakh Conflict: The Mission and Methods of Cultural Heritage Watch (CHW)
  • 387 – Hidden Heritage: The E-FORESTER Project as a New Opportunity to Search for Relics of Past Human Activities in Forests
  • Q&A session

T1 – S2: Digitization, Documentation and Dissemination Workflows
Time: 14:30–16:00 | Date: Wednesday 10 September | Room: 1
  • 273 – 3D Technologies on the Underwater Archaeological Site of the Ancient Lighthouse of Alexandria (Egypt)
  • 156 – Digitisation of the Plaster Casts of Lia and Rachele from the Tomb of Julius II by Michelangelo
  • 185 – Low-Cost LiDAR Sensors for the Survey of Underground Cultural Heritage: applications on the Siena Bottini (Italy)
  • 322 – Epigraphy in Motion: Deciphering Armenia’s Tapanakar Inscriptions via Mobile LiDAR
  • 361 – Digital tools and conservation process: Tomaso Buzzi’s staircase at Palazzo D’Azeglio in Turin
  • 277 – Digitization and documentation of the Eclectic Architectural Cultural Heritage of São Carlos, SP, Brazil
  • 34 – The Merdeka Textile Museum Archival Project Utilizing Pixel Shift Multi Shooting for Textile Digitization
  • 281 – Safeguarding the History of Chile: Advances in the Digitization, Transcription, and Analysis of Heritage Documents
  • 17 – Cultural Heritage Dissemination Via Websites – Case Studies
  • Q&A session

T1 – S3: Instrumental and Computational Approaches for CH Conservation and Restauration
Chair: C. Miliani | Time: 9:00–11:00 | Date: Thursday 11 September | Room: 1
  • 72 – Digital Inpainting of Damaged Frescoes Using a Fine-Tuned Diffusion Model
  • 84 – Infrared Reflectography of the Madonna con Bambino, San Pietro Martire e San Giovannino by Lorenzo Lotto
  • 182 – Digital Restoration of a Magno-Greek Helmet
  • 242 – Research on precise restoration of thangka and Tibetan murals integrating contour drawing techniques
  • 88 – Preventive and planned conservation: an algorithm for the analysis and evaluation of degradation phenomena in CH
  • 149 – Survey and digital representation of the Statue of San Carlo Borromeo in Arona for the conservation activities
  • Q&A session

T1 – S4: From 3D Models to Digital Platforms and Digital Twins
Chair: V. Abergel | Time: 16:30–18:30 | Date: Wednesday 10 September | Room: 1
  • 304 – Hypothetical Reconstruction for the Conservation, Preservation and Valorisation of Cultural Heritage: the Kampanopetra Basilica in Salamis, Cyprus
  • 391 – Visualization, Virtualization, and 3D Data Analysis in the Historical (Re)Construction of Household, Village, and Regional Landscapes: The Mount Amiata-Maremma Digital Heritage Project
  • 357 – From HBIM to Digital Twins: An interoperable framework for semantic knowledge integration and dynamic monitoring of historic buildings
  • 90 – The survey of the Domus of Arianna in Pompeii to create a 3D digital platform for managing the archaeological site
  • 137 – Low-Cost Digital Preservation and Valorization of Minor Heritage: The Jewish Archive of Pisa
  • 385 – Filling the gap. The Challenge of loss and two outcomes of the Mapping Sacred Spaces Project
  • 276 – Mediating Art History Data Models for Native Linked Data Construction using ResearchSpace
  • Q&A session

T1 – S5: Predictive analysis, AI, simulation, and novel computational methods
Chair: G. Guidi | Time: 16:30–18:30 | Date: Tuesday 9 September | Room: 4
  • 312 – 3D Autonomous Agents for Virtual Heritage
  • 104 – Spatialization, fusion and enrichment of Multimodal Imaging for Interdisciplinary Digital Heritage Studies
  • 126 – A cathedral of spatialised annotations portraying the multidisciplinary study of Notre Dame de Paris
  • 389 – The RePAIR Project: Datasets for archaeological and restoration studies in Pompeii
  • 376 – A Knowledge Graph for Andean Ritual Heritage
  • 386 Automated Detection of Prehistoric Tumuli in the Sahara
  • A preliminary study of the morphology and spatial distribution of funerary elements in Oman
  • Q&A session

Track 2 – Policy, Standards, Ethics, and Education
Chairs: Angeliki Chrysanthi (University of the Aegean), Alessandra Marasco (CNR ISPC)

T2 – S1: From DH Theory and Principles to Innovative Practice: Participation, Training, and Access
Chair: A. Chrysanthi | Time: 9:00–11:00 | Date: Wednesday 10 September | Room: 2
  • 1 – A Grounded Theory Towards Intangible Architecture, A Systematic Review and Meta-analysis
  • 7 – Project to Operationalize the Seville Principles
  • 124 – Designing digital spaces as permeable cultural ecosystems
  • 169 – Large Language Models for Museum Label Optimization: A Case Study on Ministerial Compliance and Cultural Accessibility in Galleria Sabauda’s Flemish Collection
  • 382 – The timeless Art of Special Effects – From Renaissance Stagecraft to Extended Reality
  • 36 – Bridging Disciplines for Heritage Professionals: The H2IOSC Digital Training Platform (by CLARIN, DARIAH, E-RIHS and OPERAS)
  • 310 – Enduring Memory: Participatory Digital Experiences for Exploring the Contemporary Past at Camp 65
  • Q&A session

T2 – S2: Digital Heritage, Tourism, and Sustainability
Chair: A. Marasco | Time: 14:30–16:00 | Date: Wednesday 10 September | Room: 2
  • 171 – Co-production in Digital Cultural Heritage: Bridging communication, Community, and Sustainability
  • 321 – Technology, Communication, and Sustainable Tourism: Exploring New Approaches for Heritage and Research
  • 283 – Heritage 5.0 – How emerging technologies can support SMEs innovation in Cultural Heritage
  • 272 – Reshaping Identities. How cultural Institutions Navigate the Digital Age Making Sense of Their Heritage.
  • 19 – Experimenting with Young Adults’ Digital Engagement to Leverage Cultural Heritage as Catalyst for Sustainable Development Goals: The Open Atelier Digital Competition
  • 32 – Italian Constitution, Cultural Heritage and Digital Revolution
  • Q&A session

Track 3 – Infrastructures, Dataspace, International Projects
Chairs: Dimitri Kotzinos (ECHOES – Cergy Paris Univ.), Anais Guillem (ERIHS – CNRS MAP), Bruno Fanini (H2IOSC – CNR ISPC)

T3 – S1: Infrastructures, Platforms and Digital Ecosystems
Time: 16:30–18:30 | Date: Thursday 11 September | Room: 5
  • 167 – CST3DHN – An evolutive French infrastructure for heritage data preservation: methodology, technologies and community
  • 41 – H-RADIOSA: recommended approaches for the development of interoperable open semantic artefacts in the heritage domain
  • 369 – Determining a General CH Digitization Process based on a Scoping Review
  • 292 – A Holistic Digital Ecosystem for Sustainable Cultural Heritage Management in Türkiye: National Museum Information System (MUES)
  • 367 – Shared Data, Shared Practice, Shared Knowledge: Insights from Building NFDI4Culture’s Federated Research Data Infrastructure for CH
  • 98 – ChainPro – A Web3 Platform for Artists
  • 52 – 3D Digital Silk Road – the Project and Its Results Overview
  • 261 – Rome Reborn: Status Report and Future of the Project
  • Q&A session

T3 – S2: Standards and Community-Driven Tools
Time: 14:30–16:00 | Date: Thursday 11 September | Room: 5
  • 6 – Transforming Cultural Heritage Through Digital Innovation – Case Study of eKultura
  • 115 – Early Stage of Community-Driven UI/UX Refactoring of the Open-Source ATON Framework
  • 189 – Designing and developing —: A Trend Identification Platform for Digital Valorization of Intangible Cultural Heritage
  • 253 – Broadening Data and Digital Skills within Communities to Access Digital Research Infrastructures
  • Q&A session

T3 – S3: Data Analysis, Datasets and Multimodal Approaches
Time: 9:00–11:00 | Date: Friday 12 September | Room: 2
  • 79 – Introducing Sociodata in Virtual Museums: A Holistic Approach for Sustainable Development in Cultural Landscapes
  • 381 – Towards a Scientometric Understanding of Cultural & Digital Heritage: Multi Source Data Integration Pipeline & EC Funding Trends
  • 150 – Enhancing the study of historical figures through AI-powered interactive data visualizations
  • 256 – A Searchable Multimodal Dataset of Rococo-Era Ornamental Prints
  • 40 – From Black Books to Burners: Street Art as Cultural Heritage
  • Q&A session

Track 4 – Acquisition and Digitization
Chairs: Pedro Santos (GCH – Fraunhofer), Martina Hoffmann (National Library CH), Fabio Remondino (FBK)

T4 – S1: Digitization and Technology
Chair: M. Hoffmann | Time: 16:30–18:30 | Date: Wednesday 9 September | Room: 4
  • 158 – CultLab3D to CultArm3D – The first autonomous, robot-assisted, color-faithful 3D digitization technologies for cultural heritage collections
  • 73 – Hacking light in the digitization of archaeological glass vessels: The Quest for geometric rigor
  • 25 – A Practical Inverse Rendering Strategy for Enhanced Albedo Estimation for Cultural Heritage Model Reconstruction
  • 50 – Material Studies For Digital Heritage: Comparative Analysis of Geometric and Photometric 3D Representations
  • 239 – Digital Cultural Heritage Twins, a Proposal Based on Advanced Knowledge Representation Techniques
  • 128 – Evaluating the Impact of Lighting Conditions on Photogrammetric Acquisition of Cultural Heritage
  • Q&A session

T4 – S2: Digitization tools and applications
Chair: P. Santos | Time: 14:30–16:00 | Date: Wednesday 9 September | Room: 4
  • 306 – Bringing Stones to Life: The First Digital 3D Library of Ancient Armenian Gravestones
  • 174 – Unsupervised Colorization and Diffusion-Based Virtual Try-On for Ottoman Heritage Preservation
  • 285 – “Out There,” Anywhere: Digital Proxies for Threatened Cultural Heritage Sites and Structures
  • 301 – From Overview to Immersion: Level-of-Detail Digitization of High Ceilings in Virtual Reality
  • 96 – Bridging Open-Source Photogrammetry: Toward Synergies Between MeshRoom, MicMac and others
  • 8 – UAV survey and large-scale digitization. Avenues for making visible the massive data on the archaeological landscape of the Lovo massif (DRC)
  • 366 – Drone-Based Magnetic Survey: Testing a New Approach for Archaeological Prospection
  • Q&A session

T4 – S3: Digitization and Segmentation
Chair: F. Remondino | Time: 9:00–11:00 | Date: Thursday 10 September | Room: 2
  • 47 – 2D and 3D Semantic Segmentation for Interpreting and Understanding 3D Heritage Spaces
  • 75 – Comparing OCR Pipelines for Folkloristic Text Digitization
  • 26 – Acquisition and digitization of large scale heritage scenes with open source project https://github.com/MapsHD/HDMapping
  • 113 – ArTLLaMA: Adaptating LLaMA to Performative Art Applications
  • 144 – Digitizing the Undigitizable: A Comparative Assessment of Traditional and AI-Based Methods for Reflective Cultural Heritage Objects
  • 170 – Towards interdisciplinary approaches combining AI and 2D/3D: Designing a digital environment for the virtual reconstruction of a lost medieval church using a historical ontology
  • Q&A session

T4 – S4: Digitization Case Studies
Chair: P. Santos | Time: 14:30–16:00 | Date: Thursday 10 September | Room: 2
  • 348 – Sun Stones Chronicles: Enriching the Bornholms Museum Brightest Artifact Collection through 3D Scanning and Semantic Web Technologies
  • 326 – Virtual Reconstruction and Digital Twin of the Royal Monastery of San Benito of Sahagún
  • 71 – Immersive RockArt: When rock carvings meet photogrammetry and computer graphics
  • 164 – Spatial random access to explore heritage site using spherical video
  • 351 – Geometric Modeling for Immersive VR Exploration of Underground Heritage: Matera’s Hypogeum Case Study
  • 53 – 3D Digitalization of Wooden Churches – Techniques and Challenges During Preservation Efforts
  • Q&A session

Track 5 – Analysis and Interpretation
Chairs: Michela Spagnuolo (GCH – CNR IMATI), Nicolò Dell’Unto (Univ. Lund)

T5 – S1: Semantics-driven interaction with digitized heritage
Time: 09:00–11:00 | Date: Wednesday 10 September | Room: 3
  • 99 – Procezo: Data Processing Services for 3D Analytics
  • 166 – Prompting Meaning: Optimizing Prompt Engineering for Architectural Point Cloud Interpretation
  • 298 – IBE meets AIR: a framework for structured archaeological reasoning and digital reconstruction
  • 180 – Innovative Approaches through 3D Survey and Virtual Technologies for the Geometric and Semantic Fruition of Built Heritage Sites on the Web
  • 280 – Coupling LLM and 3D Ontologies for Neuro-Symbolic Natural Language Querying of 3D Point Clouds
  • 200 – Acting Like an Expert: Analyzing Eye and Movement Behavior when Exploring Archaeological Artifacts
  • Q&A session

T5 – S2: Analysing and documenting the creation process, evolution and context
Time: 14:30–16:00 | Date: Wednesday 10 September | Room: 3
  • 42 – Palazzo della Loggia according to Luigi Vanvitelli: a digital reconstruction
  • 31 – Creative processes of the visual arts and generative AI. Correspondences between Michelangelo and Sebastiano Del Piombo in the Flagellation of Christ ideation
  • 83 – A Quantitative Study of Violin Geometry Using Contour Lines
  • 243 – 4D data organization and alignment at world scale
  • 362 – Perin del Vaga, His Workshop and Patterns of Fresco Painting in the Farnese Tower cycle through Multiple Non-Invasive Analyses
  • 329 – Immersive narratives and microhistory in Heritage Renewal: The Case of the Project “Els ulls de la història”
  • Q&A session

T5 – S3: Analysing and documenting digitized assets
Time: 16:30–18:30 | Date: Wednesday 10 September | Room: 3
  • 35 – Outside the Wall: some applications of TagLab for AI semantic segmentation in archaeological practice
  • 105 – HBIM Modelling Techniques Applied to Gothic Architecture: Insights from the Founder’s Chapel at the Monastery of Batalha
  • 177 – A Scan-to-BIM approach for the preservation of the Architectural and Archaeological Heritage: the digitisation of the complex of San Nicolò Regale in Mazara del Vallo (Italy)
  • 300 – Reinterpreting Guaraní Heritage: Additive Manufacturing for Digital Heritage Strategies for Architectural and Cultural Reconstruction
  • 146 – Enhancing CH with Generative AI: A Comparative Framework for the Evaluation of 3D Model Accuracy and Visual Fidelity
  • 354 – Solar Panels on Historic Roofs? A Digital Tool for Assessing Sensitive Roof Areas
  • 251 – Preserving the Sacred In Situ: A Scalable Model for Hybrid Religious Heritage Documentation
  • Q&A session

T5 – S4: Analysing and documenting sites and landscapes
Time: 14:30–16:00 | Date: Thursday 11 September | Room: 2
  • 80 – Mapping Pausania: A GIS-Based Reconstruction of the Laconian Landscape
  • 175 – Intra-site Spatial Analysis at Sambuco Cave: assessing Digital 3D methods for understanding Upper Paleolithic site occupation behaviors
  • 205 – High-Resolution LiDAR for Archaeological Prospection in Mediterranean Forested Landscapes: Insights from Two Case Studies in Italy
  • 244 – Building Height Assessment for Heritage Site’s Surroundings using 3D-GIS Multiple Scenarios
  • 227 – Digital exploration of the hydrosystems of the Haut Adour (French Pyrenees)
  • Q&A session

T5 – S5: Extracting knowledge from digitized assets
Time: 16:30–18:00 | Date: Thursday 11 September | Room: 2
  • 69 – An Open-Source Workflow for Handwritten Character Recognition
  • 133 – From Scanned Pages to Semantic Graphs: Scalable Methods for Extracting Historical and Cultural Knowledge Across Heterogeneous Texts
  • 178 – Voxels for Finite Element Analysis of Cultural Heritage objects
  • 359 – Advancing Armenian Inscription Recognition
  • 119 – The IlluminAI project: a deep neural network and immersive visualization system to enhance illuminated manuscripts
  • Q&A session

Track 6 – Visualization and Interaction
Chairs: Karina Rodriguez Echavarria (GCH – Univ. Brighton), Maria Economu (Univ. Glasgow), Ruggero Pintus (CRS4), Angeliki Antoniou (Univ. West Attica)

T6 – S1: XR Platforms and Frameworks for Cultural Engagement
Time: 14:30–16:00 | Date: Tuesday 9 September | Room: 3
Topic: Platforms and tools enabling immersive, interactive cultural heritage experiences.
  • 49 – HERIX: An integrated platform for creating Immersive, Interactive and Liquid eXtended Reality experiences for Cultural Heritage
  • 130 – FRAMES: A Platform for Constructing Immersive and Multimodal Extended Reality Exhibitions
  • 240 – OpenLIME: An open and flexible web framework for creating and exploring complex multi-layered relightable image models
  • 252 – User Driven Augmented Reality Registration for Urban Digital Twin Heritage Visualization
  • Q&A session

T6 – S2: Visual Archives and Historical Imagery in VR
Time: 16:30–18:00 | Date: Tuesday 9 September | Room: 3
Topic: Reviving historical records through visual and immersive technologies.
  • 121 – Stereo Spectacular: Reviving the Universal Exposition of 1867 in Virtual Reality through Historical Stereoscopic Photographs
  • 142 – Real-time rendering of old glass panes
  • 176 – Representation of Meta-Paradata for H-BIM Models in WebGIS: Paving the Way Towards ‘3D Scientific Models’
  • 313 – A Swiss Echo: An immersive and embodied exploration of a national broadcasting archive
  • Q&A session

T6 – S3: Digital Heritage Research: History, Archaeology, and Virtual Reconstruction
Room: 3
Topic: Interdisciplinary approaches combining archaeology, history, and virtual reconstructions for heritage study and preservation.
  • 173 – Between technical history, industrial archaeology, Digital Humanities and Virtual Reality: A digital corpus of a former industrial site under rehabilitation: the case of CAP 44
  • 316 – Prague Astronomical Clock – Virtual Presentation
  • Q&A session

T6 – S4: Accessibility and Inclusive Engagement
Time: 09:00–11:00 | Date: Wednesday 10 September | Room: 1
Topic: Techniques and technologies that broaden access to heritage content.
  • 349 – Tactile Embroidery Reproduction Exploiting Machine Vision for Visually Impaired Engagement
  • 20 – Exploring Anamorphoses in Immersive Virtual Reality on the Web: Design and Challenges of the Anamorphic Gallery of Anamorphoses (AnGA)
  • 82 – Full-fledged Virtual Exploration of Sacred Spaces

T6 – S5: Immersive and Interactive VR/AR Experiences in Cultural Heritage
Room: 1
Topic: Exploring virtual and augmented reality applications that enhance cultural heritage engagement and accessibility.
  • 107 – Riding the Hippogriff: a VR Exploration of Orlando Furioso Epic Poem
  • 265 – Cultural VR for the elderly: setting up the experience
  • 340 – ARise: an Augmented Reality Mobile Application to Improve Cultural Heritage Resilience
  • 344 – Co-Designing XR Exhibits: Insights from a Domain Expert Workshop on UI and Interaction Features for Cultural Heritage
  • Q&A session

T6 – S6: Reconstructing the Past
Time: 14:30–16:00 | Date: Wednesday 10 September | Room: Plenary
Topic: Digital restoration in Virtual Archeology.
  • 16 – Remaking Lost Communities in Virtual Cultural Landscapes
  • 44 – Rediscovering Mural Paintings: Experiencing Medieval Art as Originally Conceived Through Historical Light Simulation
  • 62 – From Site to story: A Virtual Archaeology Project in Arzachena (Sardinia, Italy)
  • 202 – Reconstructing Gladiator Combat: A Multisensory Virtual Reality Training Environment
  • Q&A session

T6 – S7: Digitization and 3D Visualization for Heritage Accessibility
Time: 16:30–18:30 | Date: Wednesday 10 September | Room: Plenary
Topic: Innovations in 3D scanning, reconstruction, and visualization to preserve and present heritage sites and artifacts.
  • 65 – Modern Digitization and 3D Visualization Technologies for Virtual Access to Hard-to-reach or Perished Historical Sites
  • 279 – Spatiando con gli Occhi: Delivering an Interactive 3D Reconstruction of 17th-Century Rome
  • 342 – ESILab: An efficient software for immersion and exploitation of large point clouds
  • 373 – Rapid prototyping tool for interactive production and visualization of immersive contents. A strategy to intersect technologies coming from 3D survey, digital heritage and performing art.

T6 – S8: Narratives, Multimodality, and Emotional Engagement in Heritage
Room: Plenary
Topic: Using multimedia and storytelling to foster empathy and cultural memory in heritage contexts.
  • 233 – Letters from the past – Exploring multimodality and collaboration for historical empathy in museum learning
  • 45 – Evaluating the role of QR code-enabled video within a cultural exhibition
  • 234 – Blooming Memory: Reinterpreting Architectural Heritage Through Cultural Memory and Augmented Reality – The Case of Nanjing’s Great Bao’en Temple
  • 353 – Bridging Psychological Distance from Climate Change through Experiential Learning within Heritage Organisations
  • Q&A session

T6 – S9: AI and Generative Techniques for Heritage Reconstruction
Time: 14:30–16:00 | Date: Wednesday 10 September | Room: 4
Topic: Leveraging AI for reconstructing and modeling tangible heritage elements.
  • 11 – AI-based reconstruction of Prehistoric Remains of preihstoric remains
  • 85 – A multimodal approach to 3D modelling of Spanish cultural heritage buildings for visualization and management based on generative AI and geospatial data
  • 282 – Bringing the Gonzaga Equestrian Heritage to Life: AI-Enhanced VR Storytelling for Cultural Dissemination
  • 238 – Integrating Artificial Intelligence in the Design of Interactive Experiences. An Overview for Digital Cultural Heritage Practitioners
  • Q&A session

T6 – S10: Storytelling and Interpretation in Digital Heritage
Time: 16:30–18:00 | Date: Thursday 11 September | Room: 3
Topic: Narrative strategies, ethical considerations, and interpretation in digital heritage experiences.
  • 214 – Contextualism and Music Annotation: Exploring the Role of Digital Storytelling about a Composer’s Life on Music Perception
  • 268 – Beyond Street Signs: Ethical and Situated Cultural Storytelling using AI and Extended Reality
  • 220 – 360° Virtual Tours at the National Roman Museum. Making Culture Heritage Participatory, Accessible, and Personalized
  • 203 – The Secret of Bastet: Integrating VR and 3D Printing for the Study and Exhibition of a Cat Mummy
  • Q&A session

Track 8 – Digital Technologies for Colour
Chairs: Catlin Langford (V&A), Donata Magrini (CNR ISPC)

T8 – S1: PERCEIVE: Exhibiting the “Unexhibitable”
Time: 9:00–11:00 | Date: Thursday 11 September | Room: 5
  • 350 – Perceptive Enhance Realities of Coloured Collections through AI and Virtual Experience
  • 147 – An Atlas-based Approach for Appearance-aware Virtual 3D Restoration and Simulation of Fading in Fugitive Textiles
  • 102 – Interactive and Immersive Discovery of Diagnostic Processes on Multi-layered 3D Collections on the Web: the MuLAX Tool
  • 61 – Text2Autochrome: Text Guided Autochrome Synthesis Using Generative Models
  • 314 – What Can a Historic Black and White Photograph Tell Us About the Original Colours of a Painting? A Case Study on Edvard Munch’s The Scream 1910 (?)
  • 108 – Implementing Curiosity Hooks and Caring Practices in the Reconstruction of Lost Polychromy: Design Prototypes for Interactive Experiences
  • 148 – Designing Authentic Digital Experiences
  • Q&A session

Track 9 – Collaborative Cloud for CH (ECHOES)
Chairs: Emanuel Demetrescu (CNR ISPC), Sorin Hermon (Cyprus Institute)

T9 – S1: Collaborative Cloud for CH (ECHOES SESSION)
Time: 16:30–18:30 | Date: Thursday 11 September | Room: 4
  • Presentation of the Session on Collaborative Cloud: opportunities and challenges, Sorin Hermon, Emanuel Demetrescu
  • 188 – Application of LiDAR Sensors for the Reconstruction of the Production Techniques of Artificial Conglomerate Blocks: the Case of the Maconi Tower – Siena (Italy)
  • 194 – Digital Virtual Museum Infrastructure for Heritage Engagement
  • 278 – Straniere: a digital archive on the reception of non-European arts and cultures in Italy (1945–2000)
  • 302 – Smart Collection Ingestion in the European Cultural Heritage Cloud: Toward Scalable, Semantically Enriched, Interoperable Cataloguing
  • 160 – The IMPULSE Project: Advancing Immersive Digitization for Sustainable Digital Cultural Heritage Integration within ECCCH
  • 358 – The Collaborative Basilica Iulia Project: A Digital Knowledge Ecosystem for Integrated Archaeological Research
  • 325 – Towards the Definition of the Heritage Digital Twin Ontology for the European Collaborative Cloud for Cultural Heritage
  • Q&A session

Track 10 – H2IOSC Project Development (H2IOSC SESSION)
Chairs: Riccardo Colella (CNR ISPC), Alberto Bucciero (CNR ISPC)

T10 – S1: H2IOSC Project Development
Time: 16:30–18:30 | Date: Tuesday 9 September | Room: Plenary
  • Session introduction
  • 9 – Prototyper: a web3D platform for collaborative design and simulation of hybrid museum exhibitions
  • 55 – Shaping a Web3D framework for different scientific communities: ATON as a service in HIOSC
  • 210 – The Illuminated Manuscripts pilot project: a hub dedicated to the interdisciplinary study of ancient codices, integrated into the DigiLab-IT platform
  • 236 – StoneVerse: Models and Methods in Cultural Heritage. The Open-Science Platform for Reproducible Modelling of Stone Decay
  • 258 – Estimating Cultural Heritage Processes Using Approximate Bayesian Computation (v)
  • 320 – Merging Knowledge and Tools in Heritage Science and Digital Archaeology. Practices from H2IOSC WP2
  • Q&A session

Track 12 – Digital Technologies for CHANGES
Chairs: Silvio Peroni (University of Bologna), Ivan Heibi (University of Bologna)

T12 – S1: Digital Technologies for CHANGES (CHANGES SESSION) – Part 1
Time: 09:00–11:00 | Date: Thursday 11 September | Room: 4
  • 51 – Designing Augmented Reality Storytelling in Historical Palaces: The Royal Palace of Caserta as a Case Study
  • 117 – Flexible, Integrable and Accessible Digital Tools for a Dynamic and Adaptive Experience of Museum Environments. The CHAMELEON project
  • 193 – TAZEBAO Project: a digital ecosystem for cultural heritage enhancement
  • 255 – 3D Digitisation for Geological and Paleontological Specimens: Challenges and Solutions
  • 334 – A Virtual Gallery Platform for Exploring Cultural Heritage collections and Practicing Digital Curatorship in a University Context
  • 43 – Multi-scalar risk mapping of climate change impacts on outdoor tangible cultural heritage: the case study of Tortona, Italy
  • 60 – PALEOTWIN. A Platform for Creating Integrated Digital Experiences: the case study of the Collezione di Geologia “Museo Giovanni Capellini”
  • 153 – Supervised models to support archaeological investigations of ancient coins

T12 – S2: Digital Technologies for CHANGES (CHANGES SESSION) – Part 2
Time: 14:30–16:00 | Date: Thursday 11 September | Room: 4
  • 66 – Morphosyntactic Variation in Italian and Romansh Dialects: The Manzini & Savoia (2005) Corpus Within Project CHANGES
  • 221 – Beyond Participation: A Quadruple Helix Approach to Digital Cultural Heritage and Inclusive Minorities Engagement
  • 331 – Small Codes: a platform for digital resources and tools for minority languages and dialects
  • 33 – Digital technologies for the “Grazia Deledda” Literary Park in Galtellì: the 3D virtual reconstruction of Pontes Castle
  • 54 – Digital technologies for the “Carlo Levi” Literary Park in Aliano (MT): the “Talking Paintings” project

T12 – S3: Digital Technologies for CHANGES (CHANGES SESSION) – Part 3
Time: 09:00–11:00 | Date: Friday 12 September | Room: 1
  • 48 – From Canvas to 3D: Benchmarking AI Methods for 3D Model Generation from Paintings
  • 118 – “There was a scribe, a priest and a thief”. Testing the potential of language models for the creation of curatorial narratives in an archaeological museum
  • 151 – Community landscape archaeology and digital technologies for heritagization and memorialization processes
  • 375 – Formalising cultural heritage metadata with a multidisciplinary approach: enriching the CHANGES workflow for enhancing a museum collection about ceramics through a FAIR digitisation process
  • 336 – HERIFORGE Polish Hub As Digital Heritage Growing XR Community
  • 363 – A Summarization and Analysis of Methodologies for Creating Interactive and Lifelike Historical Characters Based on MetaHuman

Track 13 – Phygital Worlds & XR in Cultural Heritage (XRsalento SESSION)
Chairs: Lucio Tommaso De Paolis (University of Salento), Carola Gatto (University of Salento)

T13 – S1: Phygital Worlds & XR in Cultural Heritage
Time: 16:30–18:30 | Date: Thursday 11 September | Room: Plenary
  • 86 – Scenting Heritage: Real-Time Olfactory Augmentation
  • 181 – From Interpretation to Immersion: XR and the Transformation of Fashion Heritage Storytelling
  • 213 – Augmented Reality Workflows and Prototype Tools for Museums
  • 267 – ArtifactVM: Exploring Culturally Meaningful Presentations and User Interactions in Virtual Museums
  • 304 – A Comparative Study of VR and MR Blended Environments for Manual Tasks and Guided Visits
  • 270 – Digital Technologies for Tangible and Intangible Heritage: a Preliminary Study for the Museum of Contemporary Art in San Cesario di Lecce
  • 319 – Real Time Photogrammetry in Cultural Heritage Applications
Track 14 – Play, Learn, Explore (Serious Games Society – GALA SESSION)
Chairs: Chiara Eva Catalano (CNR IMATI), Francesco Bellotti (University of Genoa), Kevin Körner (University of Tübingen)

T14 – S1: Modern Technologies for Serious Gaming in Cultural Heritage
Chair: Chiara Eva Catalano | Time: 09:00–11:00 | Date: Wednesday 10 September | Room: 5
  • Welcome
  • 295 – Comparing VR and AR in Cultural Heritage Active Learning: A Study Based on the Stimulus-Organism-Response Model and the Engagement Theory
  • 186 – Designing Personalized Cultural Heritage Serious Games through Gamification, AI and Augmented Reality
  • 247 – Digging through the Virtual Sand of Time: Development and Evaluation of Hetepheres Tomb VR
  • 377 – Characterization of Games Technologies for Learning in the Context of Intangible Cultural Heritage
  • 15 – Female Rulers of Medieval Balkans – gamified VR experience

T14 – S2: Game Design Methods and Applications
Chair: Kevin Körner | Time: 14:30–16:00 | Date: Wednesday 10 September | Room: 5
  • 327 – Promoting Positive Attitudes Through Narrative-Driven Digital Heritage Games
  • 297 – Understanding User Experience in Serious Games: The Role of Narratives, Game Design and Player Background
  • 131 – Exploring and preserving Underwater Cultural Heritage through Play and Learning: the case study of CREAMARE
  • 303 – A Serious Game Strategy from Coastal Leisure to Cultural Discovery of an Archaeological Museum. The “Ozan1982” Application
Coffee break + Game session: 16:00–17:00

T14 – S3: Explorative Approaches for History
Chair: TBA | Time: 17:00–18:00 | Date: Wednesday 10 September | Room: 5
  • 215 – Engaging History Through Play: The Potential of Digitally-Enhanced Tabletop Role Playing Games for Promoting Historical Empathy in Museums
  • 257 – Exploring Saudi Arabian Traditions Through Roblox Puzzles For Children
  • 287 – A historiographical method for video games. The proof of concept in the analysis of the game This War of Mine (11 bit studios) and its counterpart Sarajevo’s Siege cultural heritage
  • 305 – Engaging with History: Towards an Interactive Experience of the 1562 Auto de Fe of Maní (Yucatan, Mexico)